Sin City: A Dame to Kill For

As I type this review, Sin City: A Dame to Kill For is limping towards a sixth place showing at the box office. However, if you glance at IMDb.com, you’ll find that it has a respectable average user rating of 7.2. Count me among the IMDb tribe, as I found the movie to be just as visually stunning as its unique predecessor. Director Robert Rodriguez (Machete Kills) and Troublemaker Studios reunite the likes of Mickey Rourke (The Courier) and Rosario Dawson (The Captive), while adding newcomers Eva Green (300: Rise of an Empire) and Josh Brolin (Oldboy) to another hard-boiled tale from the back alleys of Basin City.

The movie opens against the familiar black & white backdrop we experienced in part 1. Recall that Bruce Willis’ character tangled with Senator Roark and his demented pedophile son, and that he ended up killing the younger Roark. In the sequel, Roark Sr. remains a corrupt senator, just as vicious as before. He crosses paths with a young gambler named Johnny (Joseph Gordon-Levitt, Don Jon), and when the cocky upstart bests him in a game of poker, Roark erupts in violence. This is just a small slice of life in Sin City, and it prepares the viewer for what’s to come.

Familiar characters Marv (Rourke) and Nancy (Jessica Alba, Little Fockers) collide at the hole-in-the-wall bar where Nancy performs nightly on stage. It’s the perfect seedy setting for the cast of characters in this dark underworld. We’re introduced to Dwight (Brolin), a private eye with a tortured past – just like nearly every other man in Sin City. Dwight is beguiled by ex-lover Ava Lorde (Green), a “dame to kill for.” His resolve crumbles, despite feeble attempts to resist her advances. The female characters in Sin City reminded me of a line from The Godfather: they’re more dangerous than shotguns.

As the tale unfolds, the characters have distinct yet overlapping storylines. The atmospheric tone and the cinematography were amazing. Cigarette smoke wafted through the air and lingered like smog, while splashes of color punctuated the otherwise monochromatic landscape. I saw the movie in 3D, and for once it was used effectively, as Frank Miller’s graphic novel sprang to life. I loved the gravelly narration, as both Dwight and Marv brought us into their world. Some viewers may not like the stereotypical portrayals of men as burly brutes or women as vampy but vulnerable vixens, but what other inhabitants would you expect in a place called Sin City?

If you enjoyed the first Sin City, you will probably think this one is even better; I did. The movie was a visual feast, if nothing else – and I found it supremely entertaining. My sole criticism is that each vignette ended in somewhat silly fashion, as the characters met their respective fates. This movie isn’t for everyone, but I sure enjoyed it. I normally give letter grades, but it’s more accurate if I just say this was 8/10 for me.

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