Now You See Me

Batman v. Superman: Dawn of Justice

Ever since Ben Affleck (Gone Girl) was announced as the next iteration of the Caped Crusader, movie buffs and fan boys alike have been waiting with baited breath to behold this epic clash of titans in Batman v. Superman. Most fans have maligned Affleck’s selection, but I reserved judgment. Affleck’s career experienced a brief downturn during the J-Lo era, but I thought he rebounded nicely as early as 2006 with Hollywoodland. I like Ben Affleck and if anyone tells you he’s what’s wrong with this film – they are mistaken.

I looked forward to this, cautiously optimistic about what director Zac Snyder (300, Sucker Punch) would do with the franchise after taking the helm over from Christopher and Jon Nolan (The Dark Knight Rises). Batman v. Superman begins with the familiar exposition of the murder of Bruce’s parents, Thomas and Martha Wayne. We then move forward to the recent past, and the inception of Batman and Superman’s mutual disdain. When one of Superman’s epic battles leaves an avalanche of destruction in its wake, including the decimation of one of Wayne Enterprises’ properties, Bruce is furious. Meanwhile, Clark Kent (Henry Cavill, The Man From UNCLE) is none too fond of Batman, bristling at the cavalier vigilante who has won Gotham’s heart by taking the law into his own hands. To be clear, Batman doesn’t trust an alien with god-like abilities; conversely Superman thinks the billionaire is reckless and should be contained.

The stage is set for battle, after a young Lex Luthor (played by a terribly miscast Jesse Eisenberg, Now You See Me) pits the two against one another. Luthor and LexCorp have weaponized kryptonite, in the event that Superman ever needs to be neutralized. After Congress denies his request for government approval, he moves forward with another plan, hoping that the two heroes will take each other out. The plot was a little thin, and I was never emotionally invested in any outcome for either hero. When Batman and Superman finally square off, it is laughably apparent just how overmatched Batman (a mere mortal) is when facing a real superhero with powers beyond a utility belt. Only with the tried and true trick of kryptonite can he keep pace with Superman. Affleck clearly bulked up for the part, which makes sense – but why was he a slow, lumbering oaf with little agility and quickness? It looked as if even the likes of Daredevil could handily dispatch Batman.

I thought the movie was just ok. It wasn’t as horrible as the blogosphere is making it out to be, but it was rather underwhelming, plagued by poor casting and an underdeveloped, nonsensical plot. Eisenberg was miscast as Luthor. Instead of a criminal mastermind, Lex Luthor seemed like a bratty, petulant teen – hardly a worthy foe to a much more mature Batman or Superman. Batman seemed slow, and the fight sequence wasn’t as jaw dropping as I expected. One scene involves Superman 1) retrieving some kryptonite and 2) using it to kill something; how is this even possible?! There were some cool, entertaining moments, but they were few and far between. Moreover, I don’t really like the way Wonder Woman (Gal Gadot, Triple 9) was incorporated. The character wasn’t properly integrated in the storyline. Perhaps she was supposed to be mysterious, but I never felt like I understood her motivations or history.

Lastly, I just can’t get the Nolan’s interpretation of Batman out of my head. It was just a superior trilogy, and I don’t particularly care for what Snyder has done thus far. I’m still curious to see what Ben Affleck can do in the role, whenever he gets a solo Batman film. I thought he looked the part, but I would like to see more in the future. Superman is just a boring character to me, and Henry Cavill didn’t do much to change that opinion. Superman has all the power and none of the personality, easily distracted like a simp when Lois Lane (Amy Adams, American Hustle) is in danger. Corny! The cinematic edge still goes to Marvel, and all this movie did was make me anticipate Captain America: Civil War even more. Grade: C


Science Fiction is hit or miss for me. I enjoy the imagery and special effects associated with the genre, but if the plot is mired in the technicalities or minutiae of science, it tends to go over my head. When it came to Interstellar, it was director Christopher Nolan (The Dark Knight Rises) that got my attention. I’m a big fan of his work, so the mere attachment of his name to a project is enough for me to consider checking it out. Moreover, star Matthew McCounaghey (Dallas Buyers Club) made quite the case for the film while making the rounds on its press junket.

The film opens in an unspecified future time, when the world has been ravaged by famine. The entire globe is struggling for resources, and in America corn is the only remaining crop after what appears to be a devastating drought. McCounaghey stars as Cooper, a former pilot and father to a teenaged boy and adolescent daughter. They live in America’s heartland, where an omnipresent layer of thick dust serves as a reminder of lost vegetation. Cooper is a loving, doting father and he staunchly defends his children, particularly his daughter Murphy. “Murph,” as she is affectionately known, has a fiercely independent spirit and idolizes her father. She is curious, and believes their home is being visited by a supernatural force with which she communicates via Morse code. Their future is uncertain, but Cooper has carved out a life for his family, including his late wife’s father Donald (John Lithgow, This Is 40).

One day after communicating with the apparition, Murphy reveals a “message” from the otherworldly visitor. The message leads them to a hidden NASA location, where they are made privy to a master plan for the population’s survival. A scientist named Brand (Michael Caine, Now You See Me) and his daughter (Anne Hathaway, Les Misérables) explain the options to Cooper, whose expertise as a former pilot proves valuable to the scientists and astronauts. Cooper determines that he will execute their mission, traveling to the outer reaches of space in hopes of finding a planet that can sustain human life after Earth becomes uninhabitable.

Well folks, we’ve just about reached the limits of my comprehension, because I couldn’t recount the finer points of the plot if you paid me. I had a very basic understanding, but for me the film’s strength lay in its emotional portrayal of a father who is faced with an unbelievable moral dilemma. Cooper’s decision to travel in space has mammoth repercussions, not the least of which is the temporary abandonment of his family for the greater good of humanity. He has every intention of returning, but the mission is risky and time elapses quite differently in space than it does on Earth.

McCounaghey proves once again that he has the emotional depth to convey the most vulnerable aspects of the human condition. Cooper was courageous, yet frightened, self-interested, but capable of immense sacrifice. My only negative observation of his body of work is that he has yet to ditch his omnipresent Southern twang, though it was not out of place here. He has turned his career around, and there are no discernible signs of regression. Although this was ostensibly a big budget movie, he still chose a vehicle that allowed him to sink his teeth into the emotional elements of his character. Hathaway was also effective, and she too was successful at evoking empathy in the viewer. Finally, Jessica Chastain’s (Mama) performance was worth mentioning. She portrayed Murphy as an adult, and the casting was superb. Although it wavered momentarily, the bond that she shared with her father held the film together, especially when I felt bogged down by the science.

This is another movie that may not be for everyone. The film’s first act focuses on Cooper’s family, and the middle act markedly shifts to another realm. At just under three hours, I had to make an effort to focus on what was happening, particularly when the more nebulous aspects of the storyline emerged. Fortunately, the movie’s emotionality and the talented cast kept me invested. Grade: B+