The Help

Fruitvale Station

Wow.  I don’t even know where to begin.  Nothing could have stopped me from seeing Fruitvale Station, for several reasons.  First, I adore Michael B. Jordan (Chronicle).  Secondly, I support young emerging Black talent.  I admire people who follow their dreams and aspire to greatness, particularly in filmmaking.  The director of this film, Ryan Coogler, is a young man on the rise and I support that.  Lastly, the events that gave rise to this film were a tragedy, and I’m tired of it being ‘open season’ on young Black men in America.  I don’t have a brother, but if I did he might look like Oscar Grant. Or Sean Bell. Or Emmett Till. Or Trayvon Martin.  The list goes on and on, and I’m fucking sick of it.  My soul weeps, and that’s not hyperbole.

In the wee hours of New Year’s Day 2009, a young man named Oscar Grant was a passenger on a BART train heading into Oakland, California.  He had been celebrating the holiday with friends, and they were returning home.  While aboard the train, a fight broke out, prompting a response from transit police.  They detained several passengers, including Grant and his friends.  In the course of this detainment, Grant was shot in the back by one of the officers.  Oscar was unarmed.  The bullet entered through his back and ricocheted back into his body, piercing his lung.  By 10:00 AM on New Year’s Day, Oscar Grant was dead.  The movie begins with the actual footage of this crime, a chilling moment that is not dramatized until the movie’s final act.  Fruitvale Station, so named for that fateful transit stop, examines the last day of Oscar’s life.

You cannot divorce the movie from its larger societal context, particularly in light of George Zimmerman’s recent acquittal.  Other than their skin color, the similarity between Trayvon Martin and Oscar Grant is that they embody the frustration and futility that engulfs so many young Black men in America.  Over the course of the film we see that Oscar is an average young man.  He loves his daughter immensely.  He argues with his girlfriend, and they make up.  He loves his mother and his family, but like many young Black men, he is frustrated with his circumstances.  He has made some mistakes in the past, but he is hopeful and earnest in his desire to change for the better.  Desiring a new start for a new year, he wants to stop selling weed, and we see him make incremental changes in his life to that effect.  It is this flawed ‘everyman’ quality that makes him so relatable.  We are all playing the hand we were dealt, and we’re all trying to get better.

It is particularly poignant to watch his life unfold, only to know that it will be cut short very soon.  There’s an air of dread and foreboding that hangs over the movie, and even the joyful moments are painful, because we know that these moments are fleeting.  His tasks are mundane, but there is something refreshingly authentic about the way Coogler and Jordan brought Oscar to life.  He was immediately humanized, and we see that despite his shortcomings (previous brush with the law, moments of angry frustration), he was a beautiful spirit.  I always say that people are complex.  Good people do bad things, and bad people do good things.  The haunting thing about the movie and about Oscar Grant’s life in general, is that it is a story of promise unfulfilled.

Fruitvale Station won prizes at both the Sundance and Cannes Film Festivals, and it’s easy to see why.  Jordan is a revelation, and continues to impress with both his versatility and a rare ability to endear himself to audiences.  Octavia Spencer (The Help) is featured as Oscar’s mother, and you know this woman.  Either she is your mother, or your aunt or your friend’s mother – but you know this woman.  She carries a quiet and loving demeanor, a firm but gentle hand.  Black women are tasked with raising sons in a world that is at once fascinated by and fearful of that which they don’t understand.  As we see Oscar interact with children, his peers, strangers of different races (some of whom are White), and even a stray animal – we see that his humanity shone through.  It is this same sense of humanity that unites us all, if we could just cut through the bullshit and get to it.

I think Fruitvale Station will prove to be a seminal movie that very much captures a time in American history where we are at a proverbial crossroads.  It’s 2013 now, and the officer that murdered Oscar Grant has been tried, convicted and released, all within a four-year span.  I don’t know whether to laugh mirthlessly at that absurdity or cry about it.  As human beings, we need to figure out what unites us rather than what divides us, and we have to cling to that with every ounce of strength we have left.  What is about young and Black and male that threatens us?  Examination of this question is the difference between life and death for so many people, and the answer has to start to matter to more than just Black people.  It has to matter to all of us.  Grade: A+


Tom Hardy (The Dark Knight) has recently emerged as the latest “it” guy in Hollywood.  I first viewed him in Guy Ritchie’s gangster drama RocknRolla, and although I found him charming in his supporting role, I was unaware there was such underlying talent.  He’s gone on to star alongside some notable names, and that trend will probably only continue in the future.   His role in the The Dark Knight Rises as super villain Bane cemented his movie star status, and he’s one to watch for me.

Lawless is based on the true story of the infamous Bondurant Brothers, as told in the novel The Wettest County in the World, written by one of the Bondurant descendants.  The brothers were bootleggers in Prohibition Era Virginia, proving to be murderously resilient and nearly indestructible.  Forrest (Hardy) and Howard (Jason Clarke) are the two eldest brothers, fearless and violent.  Jack (Shia LaBeouf, Transformers: Dark Side of the Moon) is the youngest boy and more naïve to the ways of the bootlegging world.  He is sensitive and green to the criminal lifestyle, though he is anxious to earn more responsibility from his brothers in their enterprise.  His days are spent pining away for the local minister’s daughter, played with youthful innocence by Mia Wasikowska (The Kids Are All Right).  A lot of people think Shia is overrated, but I think he does a good job as the well-meaning kid who is in over his head.  It’s a common refrain in his roles, and I think his characters are mostly endearing and relatable.  However, since he conveys the same sentiment in most of his roles – if you disliked him in one you probably disliked him in nearly all of his movies.

Things are rolling along relatively smoothly for the Bondurant Boys, until they run up against a thorny roadblock.  There’s a new sheriff in town (Guy Pearce, Lockout), and he upsets the apple cart by trying to shake them down.  When they refuse to be muscled, the Deputy retaliates against the weakest of the tribe, Jack.  Forrest in particular is not to be trifled with, as the legend of his immortality is so great that he actually believes it himself.  He has survived beatings and several nearly fatal incidents that have convinced the locals that he can’t be killed.  Deputy Rakes wouldn’t dare screw with Forrest just yet, but wants to send a message that he intends to go toe to toe over the spoils of his illegal activity.  Lawless is largely a vehicle for Hardy, and it’s almost like ‘badass’ is in his DNA.  This makes three movies where his character is simply one that is NOT to be fucked with (the first two are Bronson and TDKR if you were wondering).  Despite the aforementioned quality, there is evidence of a softer side, as he ultimately becomes involved with a young woman named Maggie who comes to work for them (Jessica Chastain, The Help).  Forrest is not violent for violence’s sake, but he has no qualms about defending himself by any means necessary.   Maggie appreciates the rugged simplicity that marks his personality, but also reveals a more compassionate side of Forrest.  He is so gentle with her that she even has to make all the moves the first time they sleep together, and his manner with her is sweet without contradicting his ruthless ambition.

Lawless was very entertaining throughout, and it’s pretty awesome that it’s based on a true story.  The story of the Bondurants was ripe for re-telling, though I’ve heard that some of the surviving family members aren’t too happy with their family’s portrayal.  At any rate, Tom Hardy and Shia LaBeouf gave very solid performances, bolstered by strong supporting turns by Waskikowska and Chastain.  Young actor Dane DeHaan (Chronicle) also gave a strong turn as Jack’s best friend Cricket, who becomes caught up in the war between Rakes and the Bondurants.  In short, Tom Hardy’s on a roll, and Lawless is one to see.  Grade: A