Unbroken

Money Monster

There are many ways to tell a story, and one of the great things about film is that it offers the freedom to explore a range of narratives. A sweeping epic may unfold at a leisurely place over the course of two hours. A movie that takes place in a single day will be presumably action-packed and fast-paced, as there is little time for character or plot development. Money Monster promised a glimpse into a day in the life of two men on a particularly harrowing day for both.

George Clooney (Hail, Caesar!) stars as Lee Gates, a Jim Cramer type of character who mixes buffoonery with financial advice on his own cable show. I was amused to see the typically suave Clooney bounce around like a ham-handed carnival barker, flanked by two ‘dancers’ in costume like a bad rap video. Julia Roberts (Secret in Their Eyes) is Patty, his calm and cool producer who helms the ship, making it hum like a well-oiled machine. Gates has a duplicitous, opportunistic aura, sort of like a cross between a car salesman and a stockbroker, with more style than substance. When one of his tips to invest in a company called IBIS proves disastrous, disgruntled viewer Kyle Budwell (Jack O’Connell, Unbroken) exacts his own brand of justice by taking over the television studio during a live broadcast.

An unhinged protagonist is familiar cinematic territory, whether our anti-hero is robbing a bank or holding hostages. Common themes are desperation and a nearly suicidal level of commitment. Kyle is armed with a detonator and makes Lee wear a vest rigged with explosives. He blames the loss of his life savings on the TV host, whose offhand prediction cost him dearly. Dominic West (Genius, The Affair, The Wire) is featured as Walt Camby, IBIS’ shady CEO who claims an unforeseen glitch in his company’s financial algorithm caused the stock to take a hit. At first Kyle’s ire is directed solely at Lee, but Gates is able to pass the buck on to Camby, whose explanation for the massive loss is questionable at best.

Jodie Foster (Elysium) marks her return to directing here, and quite naturally I had high expectations for such an acclaimed collection of Hollywood’s elite. I won’t use the word disappointed, but Money Monster was more decent than memorable. I enjoyed the subplot involving supporting characters as they worked to uncover the truth behind Camby’s questionable geo-political business dealings, but for the most part the tension and tautness wasn’t there. Perhaps the fault lies in the script, as I thought Foster’s direction within the tight confines of the television studio was effective. The small space added to the air of desperation, but overall the film wasn’t something that stayed with me. Sometimes a day at the movies is just a passable one, and while that’s enough for some – others may want a little more. Grade: B

The Big Short

My primary motivation in going to the movies is entertainment; but every now and then you learn something. I typically avoid movies that cover mundane industries/topics with which I’m not familiar, but occasionally movies can be entertaining AND insightful. The Big Short chronicles the 2008 economic crisis that occurred after the housing market “bubble” burst and several financial institutions collapsed. I don’t understand the finer points of banking, investing, or real estate – but writer/director Adam McKay (The Other Guys, Step Brothers) crafted an immensely informative, funny, and entertaining docudrama that wasn’t as inaccessible as I initially thought.

There were only a handful of people who foresaw the housing crisis, a few “weirdos” and outsiders who knew what no one else did. Christian Bale (Exodus: Gods and Kings) stars as Dr. Michael Burry, an offbeat hedge fund manager who took a closer look at the housing market and discovered that the industry was being propped up by risky sub-prime mortgages made to undesirable prospective home buyers. He predicted that eventually these people would default on their mortgages and the industry would collapse with devastating repercussions. He then bet against the housing market, making the rounds to several financial institutions that were all too happy to take his money.

The film is narrated by Jared Venett (Ryan Gosling, Gangster Squad); a fast-talking Wall Streeter whose suspicions are aroused when he gets wind of what Burry is doing and wants in. A misdialed phone number leads him to Mark Baum (Steve Carell, Foxcatcher), an irascible hedge fund manager working under the umbrella of Morgan Stanley. He’s initially skeptical, but after independently researching the housing market himself, he follows Vennett’s lead and bets against the market as well. Dr. Burry predicts that it will take about 5 years for the bubble to burst, and his inkling is spot on. He’s so far ahead of the prevailing wisdom at the time that it nearly costs him his job – but he never falters in his conviction. Rounding out the prescient bunch are small-time investors Charlie Geller (John Magaro, Unbroken) and Jamie Shipley (Finn Wittrock, Noah), who stumble across Vennett’s inside scoop by happenstance.

The Big Short was a humorous, yet appropriately sobering depiction of the financial crisis. McKay deftly incorporated levity in his storytelling, making the nuanced material much more palatable to the audience. By using humor and splicing the film with actual pop culture moments from the time period, he made the subject matter accessible, breaking the “fourth wall” throughout the film. One of the highlights was his use of celebrity cameo appearances to explain particularly complex financial concepts. Actress Margot Robbie, celebrity chef Anthony Bourdain, and singer Selena Gomez hilariously interjected timely explanations, effectively breaking up the underlying monotony.

In addition to a strong script and effective storytelling, the film was bolstered by brilliant performances – particularly from Steve Carell and Christian Bale. Carell’s range is incredible. The intonation of his voice was completely different, and I was extremely impressed. Between this and his work in 2014’s Foxcatcher, Carell is showing that his abilities far transcend the comedic realm. Bale was nearly as impressive, and the entire cast was superb. Unlike other films depicting the same events, The Big Short was uniquely refreshing in its pairing of humor with crisis. I never felt that McKay was making light of a tragedy, and it takes considerable skill to execute that technique. The Big Short took a mundane, confusing topic and made it lively and accessible, which was no small feat. It was definitely one of the better movies of 2015. Grade: A